Tuesday, April 28, 2009
Do not stand at my grave and weep
Romeo and Juliet
More T.S. Eliot
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. -T.S. Eliot
This is a one quote that I used for my paper, although I shortened it a bit. T.S. Eliot believed that memory is our freedom from the past and future. While we remember a past event we are in-between time, neither acting in the present or waiting for the future. Memory is the only means to be free from time. Eliot saw time as being a sort of bond to reality and to life on Earth. He was, as we all are, more interested in immortality and the pressure of time hinders the freedom of immortality. Memory has the capability of holding information, storing emotion, and liberating time. Wow, the power of memory!
Incorporating other classes
Sunday, April 26, 2009
My paper
“Poetry starts in the dark with the sounds of sand and wind.”
-Dr. Sexson
I disagree with this statement, although the idea that poetry begins in silence and nature is interesting. Either way, what’s the worth of a statement if it’s not disagreeable? I believe that poetry starts with the sounds of wind and waves. In T.S. Eliot’s Four Quartets, Eliot pieces together the connection of poetry and time past and time future. While Eliot is writing he stays in the present, however, all time is connected. What is past was the future and what is present will be the past. Memories then are the key to the unraveling of time. Poetry can only start with the poet’s understanding of time and the understanding of how it will end. Eliot proves that any creation needs a beginning and an end, poetry is not an exception. Thus, poetry must begin at the edge of a place that holds all memories and has the ability to control the future.
Friday, April 24, 2009
Last Day at Bridger
Thursday, April 16, 2009
Group Presentations
Wednesday, April 8, 2009
Does anyone remember the 50's? Dr. Sexson, I know you do. As a later generation, I was taught that the 50's were filled with romanticism, chivalry, and freedom (or that's what Hollywood wants us to think). What was so different 50 years ago? It seems there's a lot of things. There were plenty of factors that created the clash between the rebels and the "leave it to Beavers." The most important factors were the Cold War and the pressure for equal rights for minorities and women. The constant threat of a nuclear attack made people re-think their lives. The image of motorcycle gangs and The Fonz were representations of youngsters living in the moment. There was also the rebellion against the "perfect American image." Television produced nuclear families including mom, junior, and pops, to show the rest of the world they were fighting perfection. So much was going on that helped create an ultimate diverse community. The beat movement was created by the constant battle between the two opposites. Without that clash we would be missing vital parts of history, like Happy Days. Ong says, "Song is the remembrance of song's sung," or in German "Gesang est deseim," song is existence (and if I spelled that wrong it is out of memory that I am writing this...so back off you corrective Nazis). The 50's are an important part of American history, and a time that will never be recreated. Without the rebel there wouldn't be the leather jacket, but seriously, we wouldn't have beat poetry. The beat movement was a transition towards expressionism (I might have made expressionism up). They are called confessional poets, Anne Sexton or Sylvia Plath. Before the popularity of rebellion, depressing poetry that was written about yourself was taboo. All these things add to what we as generation X, Y, and Z know today. Without Anne Sexton the poetry I wrote as a teenager would be in a dumpster, but now I know I can sell it. Without the 50's there wouldn't be the 60's and then Americans would be lost because we would be out an entire decade of drug experimentation. So, what does this have to do with memory? I don't know, I just like the picture.
Monday, April 6, 2009
“Oh God, I could
be bounded in a nutshell and
count myself king of infinite
space, were it not I have bad
dreams.”
Thursday, April 2, 2009
"I can see her drowned
body in the bog,
the weighing stone,
the floating rods and boughs.
Under which at first
she was a barked sapling
that is dug up
oak-bone, brain-firkin:
her shaved head
like a stubble of black corn,
her blindfold a soiled bandage,
her noose a ring
to store
the memories of love.
Although gruesome, the poem is a reminder of past treatment towards women. The woman Heaney writes about is one out of numerous amounts of women who were hanged and thrown in the bogs of Ireland for adultery or other similar crimes. Although at the time women's thoughts and feelings weren't considered, Heaney writes this woman's story and gives her a name and a mind, he says, "her noose a ring to store the memories of love." No longer is this woman's life meaningless, by writing this poem Heaney gives her a higher purpose. Heaney suggest that the noose not only contains the memories of this certain woman, but all the forgotten women who were tortured and killed. I was trying to make the connection that if the noose contains her memories then the noose is her memory palace, thus memory palaces are deadly. No, not really, but it is interesting to think about.